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Open a larger version of the following image in a popup: Patrick Harris, Stag at Glengloss Point, 1998

Patrick Harris

Stag at Glengloss Point, 1998
oil on canvas
70.5 x 91.5 cm
signed recto
View on a Wall
This was painted in the Spring of 1998, during my first fellowship at Ballinglen. I had spotted the stack while on my way from Ballycastle to Belderrig. It stands silently,...
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This was painted in the Spring of 1998, during my first fellowship at Ballinglen. I had spotted the stack while on my way from Ballycastle to Belderrig. It stands silently, close to the coast, and with a hypnotic presence. Discovering it was like encountering an old friend. My work has always been concerned with the single image, possibly stemming from my obsession with the late Rembrandt’s. It was through Rembrandt that I discovered the power of paint and while my early work was concerned with the human image by 1998 it had moved to landscape. However, the landscapes: a pool, a stack or a hill, are also very much concerned with the single image and are essentially portraits. This particular painting was my first painting of a sea stack and in that it represents an important link in a chain of paintings that followed.            - Patrick Harris

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The Ballinglen Arts Foundation              
Main Street                                             
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email: ballinglenarts@gmail.com

Úna Forde, Managing Director of The Ballinglen

Arts Foundation & Ballinglen Museum of Art

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